The Artist’s Way, by Julia Cameron
Since its first publication, The Artist’s Way phenomena has inspired the genius of Elizabeth Gilbert and millions of readers to embark on a creative journey and find a deeper connection to process and purpose. Julia Cameron’s novel approach guides readers in uncovering problems areas and pressure points that may be restricting their creative flow and offers techniques to free up any areas where they might be stuck, opening up opportunities for self-growth and self-discovery.
The program begins with Cameron’s most vital tools for creative recovery – The Morning Pages, a daily writing ritual of three pages of stream-of-conscious, and The Artist Date, a dedicated block of time to nurture your inner artist. From there, she shares hundreds of exercises, activities, and prompts to help readers thoroughly explore each chapter. She also offers guidance on starting a “Creative Cluster” of fellow artists who will support you in your creative endeavors.
A revolutionary program for personal renewal, The Artist’s Way will help get you back on track, rediscover your passions, and take the steps you need to change your life.
My Year Of Rest And Relaxation, by Ottessa Moshfegh
From one of our boldest, most celebrated new literary voices, a novel about a young woman’s efforts to duck the ills of the world by embarking on an extended hibernation with the help of one of the worst psychiatrists in the annals of literature and the battery of medicines she prescribes.
Our narrator should be happy, shouldn’t she? She’s young, thin, pretty, a recent Columbia graduate, works an easy job at a hip art gallery, lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn’t just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong?
My Year of Rest and Relaxation is a powerful answer to that question. Through the story of a year spent under the influence of a truly mad combination of drugs designed to heal our heroine from her alienation from this world, Moshfegh shows us how reasonable, even necessary, alienation can be. Both tender and blackly funny, merciless and compassionate, it is a showcase for the gifts of one of our major writers working at the height of her powers.
Pond, by Claire-Louise Bennett
Immediately upon its publication in Ireland, Claire-Louise Bennett’s debut began to attract attention well beyond the expectations of the tiny Irish press that published it. A deceptively slender volume, it captures with utterly mesmerizing virtuosity the interior reality of its unnamed protagonist, a young woman living a singular and mostly solitary existence on the outskirts of a small coastal village. Sidestepping the usual conventions of narrative, it focuses on the details of her daily experience—from the best way to eat porridge or bananas to an encounter with cows—rendered sometimes in story-length, story-like stretches of narrative, sometimes in fragments no longer than a page, but always suffused with the hypersaturated, almost synesthetic intensity of the physical world that we remember from childhood. The effect is of character refracted and ventriloquized by environment, catching as it bounces her longings, frustrations, and disappointments—the ending of an affair, or the ambivalent beginning with a new lover. As the narrator’s persona emerges in all its eccentricity, sometimes painfully and often hilariously, we cannot help but see mirrored there our own fraught desires and limitations, and our own fugitive desire, despite everything, to be known.
Shimmering and unusual, Pond demands to be devoured in a single sitting that will linger long after the last page.
It Ends With Us, by Colleen Hoover
Lily hasn’t always had it easy, but that’s never stopped her from working hard for the life she wants. She’s come a long way from the small town where she grew up—she graduated from college, moved to Boston, and started her own business. And when she feels a spark with a gorgeous neurosurgeon named Ryle Kincaid, everything in Lily’s life seems too good to be true.
Ryle is assertive, stubborn, maybe even a little arrogant. He’s also sensitive, brilliant, and has a total soft spot for Lily. And the way he looks in scrubs certainly doesn’t hurt. Lily can’t get him out of her head. But Ryle’s complete aversion to relationships is disturbing. Even as Lily finds herself becoming the exception to his “no dating” rule, she can’t help but wonder what made him that way in the first place.
As questions about her new relationship overwhelm her, so do thoughts of Atlas Corrigan—her first love and a link to the past she left behind. He was her kindred spirit, her protector. When Atlas suddenly reappears, everything Lily has built with Ryle is threatened.
An honest, evocative, and tender novel, It Ends with Us is “a glorious and touching read, a forever keeper. The kind of book that gets handed down” (USA TODAY).
A Certain Hunger, by Chelsea G. Summers
Food critic Dorothy Daniels loves what she does. Discerning, meticulous, and very, very smart, Dorothy’s clear mastery of the culinary arts make it likely that she could, on any given night, whip up a more inspired dish than any one of the chefs she writes about. Dorothy loves sex as much as she loves food, and while she has struggled to find a long-term partner that can keep up with her, she makes the best of her single life, frequently traveling from Manhattan to Italy for a taste of both.
But there is something within Dorothy that’s different from everyone else, and having suppressed it long enough, she starts to embrace what makes Dorothy uniquely, terrifyingly herself. Recounting her life from a seemingly idyllic farm-to-table childhood, the heights of her career, to the moment she plunges an ice pick into a man’s neck on Fire Island, Dorothy Daniels show us what happens when a woman finally embraces her superiority.
A satire of early foodieism, a critique of how gender is defined, and a showcase of virtuoso storytelling, Chelsea G. Summers’ A Certain Hunger introduces us to the food world’s most charming psychopath and an exciting new voice in fiction.
A Good Girl’s Guide To Murder, by Holly Jackson
Everyone in Fairview knows the story.
Pretty and popular high school senior Andie Bell was murdered by her boyfriend, Sal Singh, who then killed himself. It was all anyone could talk about. And five years later, Pip sees how the tragedy still haunts her town.
But she can’t shake the feeling that there was more to what happened that day. She knew Sal when she was a child, and he was always so kind to her. How could he possibly have been a killer?
Now a senior herself, Pip decides to reexamine the closed case for her final project, at first just to cast doubt on the original investigation. But soon she discovers a trail of dark secrets that might actually prove Sal innocent . . . and the line between past and present begins to blur. Someone in Fairview doesn’t want Pip digging around for answers, and now her own life might be in danger.
The Golden Cage, by Camilla Läckberg
Faye has loved Jack since they were students at business school. Jack, the perpetual golden boy, grew up wealthy, unlike Faye, who has worked hard to bury a dark past. When Jack needed help launching a new company, Faye left school to support him, waitressing by day and working as his strategist by night. When the business took off, Faye stayed home and cared for their daughter.
Now, she is wealthier than she ever imagined, but more and more removed from the excitement of the business world. And none of the perks of wealth make up for the fact that Jack has begun to treat her coldly. When Faye discovers that he’s having an affair, the polished façade of their life cracks wide open. Faye is alone, emotionally shattered, and financially devastated—but hell hath no fury like a woman with a violent past bent on vengeance. Jack is about to get exactly what he deserves—and so much more. In this splashy, electrifying story of sex, betrayal, and secrets, a woman’s revenge is a brutal but beautiful thing.
The Collected Poems, by Sylvia Plath
Pulitzer Prize winner Sylvia Plath’s complete poetic works, edited and introduced by Ted Hughes.
By the time of her death on 11, February 1963, Sylvia Plath had written a large bulk of poetry. To my knowledge, she never scrapped any of her poetic efforts. With one or two exceptions, she brought every piece she worked on to some final form acceptable to her, rejecting at most the odd verse, or a false head or a false tail. Her attitude to her verse was artisan-like: if she couldn’t get a table out of the material, she was quite happy to get a chair, or even a toy. The end product for her was not so much a successful poem, as something that had temporarily exhausted her ingenuity. So this book contains not merely what verse she saved, but—after 1956—all she wrote. — Ted Hughes, from the Introduction
The Unexpected Professor, by John Carey
John Carey, best known for his provocative stance on the arts and the academic establishment, looks back on his journey from an ordinary background to Oxford’s oldest literary professorship. Books formed the backbone of his life: from Biggles in his boyhood home to G. K. Chesterton in his West London grammar school to rigorous scholarship on Milton, Donne and many others.
In this warm and funny memoir, he remembers afresh his encounters with the great (and not so great) works of English literature – the rewards, fulfillment and sheer pleasure to be found there.
This Is Not Propaganda: Adventures in the War Against Reality, by Peter Pomerantsev
When information is a weapon, every opinion is an act of war.
We live in a world of influence operations run amok, where dark ads, psyops, hacks, bots, soft facts, ISIS, Putin, trolls, and Trump seek to shape our very reality. In this surreal atmosphere created to disorient us and undermine our sense of truth, we’ve lost not only our grip on peace and democracy — but our very notion of what those words even mean.
Peter Pomerantsev takes us to the front lines of the disinformation age—from Kiev to Manilla–where he meets Twitter revolutionaries and pop-up populists, “behavioral change” salesmen, Jihadi fanboys, Identitarians, truth cops, and many others. Forty years after his Ukranian dissident parents were pursued by the KGB, Pomerantsev finds the Kremlin re-emerging as a great propaganda power. His research takes him back to Russia — but the answers he finds there are not what he expected.
Blending reportage, family history, and intellectual adventure, This Is Not Propaganda explores how we can reimagine our politics and ourselves when reality seems to be coming apart.
The Wedding Guest, by Jonathan Kellerman
LAPD Lieutenant Milo Sturgis is a fine homicide detective, but when he needs to get into the mind of a killer, he leans on the expertise of his best friend, the brilliant psychologist Dr. Alex Delaware. While Sturgis has a knack for piecing together the details of a crime, Delaware can decipher the darkest intents driving the most vicious of perpetrators. And there’s no better place for the doctor’s analytical skills to shine than a rowdy hall full of young men and women intoxicated on life and lust . . . and suddenly faced with the specter of death.
Summoned to a run-down former strip joint, Delaware and Sturgis find themselves crashing a wild Saints and Sinners–themed wedding reception. But they’re not the only uninvited guests. A horrified bridesmaid has discovered the body of a young woman, dressed to impress in pricey haute couture and accessorized with a grisly red slash around her neck. What’s missing is any means of identification, or a single partygoer who recognizes the victim. The baffled bride is convinced the stranger snuck in to sabotage her big day—and the groom is sure it’s all a dreadful mistake. But Delaware and Sturgis have a hundred guests to question, and a sneaking suspicion that the motive for murder is personal. Now they must separate the sinners from the saints, the true from the false, and the secrets from those keeping them. The party’s over—and the hunt for whoever killed it is on.
Legacy of Violence: A History of the British Empire, by Caroline Elkins
Sprawling across a quarter of the world’s land mass and claiming nearly seven hundred million people, Britain’s twentieth-century empire was the largest empire in human history. For many Britons, it epitomized their nation’s cultural superiority, but what legacy did the island nation deliver to the world? Covering more than two hundred years of history, Caroline Elkins reveals an evolutionary and racialized doctrine that espoused an unrelenting deployment of violence to secure and preserve the nation’s imperial interests. She outlines how ideological foundations of violence were rooted in the Victorian era calls for punishing recalcitrant «natives,» and how over time, its forms became increasingly systematized. And she makes clear that when Britain could no longer maintain control over the violence it provoked and enacted, it retreated from empire, destroying and hiding incriminating evidence of its policies and practices.
Drawing on more than a decade of research on four continents, Legacy of Violence implicates all sides of Britain’s political divide in the creation, execution, and cover-up of imperial violence. By demonstrating how and why violence was the most salient factor underwriting Britain’s empire and the nation’s imperial identity at home, Elkins upends long-held myths and sheds new light on empire’s role in shaping the world today.
Don’t Hide the Madness: William S. Burroughs in Conversation with Allen Ginsberg
Two seminal figures of the Beat movement, Allen Ginsberg and William S. Burroughs, discuss literary influences and personal history in a never-before-published three-day conversation following the release of the David Cronenberg film of Burroughs’ classic novel Naked Lunch. The visit coincided with the shamanic exorcism of the demon that Burroughs believed had caused him to fatally shoot his common law wife, Joan Vollmer Burroughs, in 1951―the event that Burroughs believed had driven his work as a writer. The conversation is interspersed with photographs by Ginsberg revealing Burroughs’s daily activities from his painting studio to the shooting range. DON’T HIDE THE MADNESS presents an important, hitherto unpublished primary document of the Beat Generation.
The Woods, by Harlan Coben
Paul Copeland, a New Jersey county prosecutor, is still grieving the loss of his sister from twenty years ago—the night she walked into the woods, never to be seen again. But now, a homicide victim is found with evidence linking him to the disappearance. The victim could be the boy who vanished along with Paul’s sister. And, as hope rises that his sister could still be alive, dangerous secrets from his family’s past threaten to tear apart everything Paul has been trying to hold together….
Play It As It Lays, by Joan Didion
A ruthless dissection of American life in the late 1960s, Joan Didion’s Play It as It Lays captures the mood of an entire generation, the ennui of contemporary society reflected in spare prose that blisters and haunts the reader.
Set in a place beyond good and evil—literally in Hollywood, Las Vegas, and the barren wastes of the Mojave Desert, but figuratively in the landscape of an arid soul—it remains more than three decades after its original publication a profoundly disturbing novel, riveting in its exploration of a woman and a society in crisis and stunning in the still-startling intensity of its prose.
Lethal White, by Rober Galbraith
When a troubled young man named Billy asks Cormoran Strike to help him investigate a crime he witnessed as a child, the private eye is left deeply troubled. While Billy is obviously mentally distressed and cannot remember many concrete details, there is something sincere about him and his story. But before Strike can question him further, Billy bolts from his office in a panic.
Trying to get to the bottom of Billy’s story, Strike and Robin Ellacott — once his assistant, now a partner in the agency — set off on a twisting trail that leads them through the backstreets of London, into a secretive inner sanctum within Parliament, and to a beautiful but sinister manor house deep in the countryside. And during this labyrinthine investigation, Strike’s own life is far from straightforward. His newfound fame as a private eye means he can no longer operate behind the scenes as he once did. Plus, his relationship with his former assistant is more fraught than it ever has been; Robin is now invaluable to Strike in the business, but their personal relationship is much, much trickier than that. The most epic Robert Galbraith novel yet, Lethal White is «addictive, murderous fun» for British mystery lovers and crime fiction fans alike (Vox).
City of Laughter: Sex and Satire in Eighteenth-Century London, by Vic Gatrell
Between 1770 and 1830, London was the world’s largest and richest city, the center of hectic social ferment and spectacular sexual liberation. These singular conditions prompted revolutionary modes of thought, novel sensibilities, and constant debate about the relations between men and women. Such an atmosphere also stimulated outrageous behavior, from James Boswell’s copulating on Westminster Bridge to the Prince Regent’s attempt to seduce a woman by pleading, sobbing, and stabbing himself with a pen-knife. And nowhere was London’s lewdness and iconoclasm more vividly represented than its satire.
City of Laughter chronicles the rise and fall of a great tradition of ridicule and of the satirical, humorous, and widely circulated prints that sustained it. Focusing not on the polished wit upon which polite society prided itself, but rather on malicious, sardonic and satirical humor―humor that was bawdy, knowing and ironic―Vic Gatrell explores what this tradition says about Georgian views of the world and about their own pretensions. Taking the reader into the clubs and taverns where laughter flowed most freely, Gatrell examines how Londoners laughed about sex, scandal, fashion, drink and similar pleasures of life.
Combining words and images–including more than 300 original drawings by Cruikshank, Gillray, Rowlandson, and others―City of Laughter offers a brilliantly original panorama of the era, providing a ground-breaking reappraisal of a period of change and a unique account of the origins of our attitudes toward sex, celebrity and satire today.
Carmilla, by Joseph Sheridan Le Fanu
The vampire novella «Carmilla» set in Austria is one of Le Fanu’s best tales and greatly influenced Bram Stocker, who published Dracula 25 years later. This is definitively a great book and a must for the lovers of horror tales.