On Earth We’re Briefly Gorgeous, by Ocean Vuong
Poet Ocean Vuong’s debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling
On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born — a history whose epicentre is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard.
With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make it a kind of joy, powers the most important debut novel of many years.
Killing Commendatore, by Haruki Murakami
A tour de force of love and loneliness, war and art, Killing Commendatore is a stunning work of imagination from one of our greatest writers.
When a thirty-something portrait painter is abandoned by his wife, he secludes himself in the mountain home of a world famous artist. One day, the young painter hears a noise from the attic, and upon investigation, he discovers a previously unseen painting. By unearthing this hidden work of art, he unintentionally opens a circle of mysterious circumstances; and to close it, he must undertake a perilous journey into a netherworld that only Haruki Murakami could conjure.
How Much Of These Hills Is Gold, by C Pam Zhang
Ba dies in the night; Ma is already gone. Newly orphaned children of immigrants, Lucy and Sam are suddenly alone in a land that refutes their existence. Fleeing the threats of their western mining town, they set off to bury their father in the only way that will set them free from their past. Along the way, they encounter giant buffalo bones, tiger paw prints, and the specters of a ravaged landscape as well as family secrets, sibling rivalry, and glimpses of a different kind of future.
Both epic and intimate, blending Chinese symbolism and reimagined history with fiercely original language and storytelling, How Much of These Hills Is Gold is a haunting adventure story, an unforgettable sibling story, and the announcement of a stunning new voice in literature. On a broad level, it explores race in an expanding country and the question of where immigrants are allowed to belong. But page by page, it’s about the memories that bind and divide families, and the yearning for home.
The Rose of Tibet, by Lionel Davidson
Hugh Whittington has gone missing – reported dead while filming near Mount Everest. Determined to find him, his brother Charles embarks on a perilous and illegal journey from India into the forbidden land of Tibet, all the way to the monastery of Yamdring. There awaits a woman with a deadly and ghostly secret, an emerald treasure to guard and the invading Chinese Red Army. The Rose of Tibet (1962) is Lionel Davidson’s second novel. His extraordinary and thrilling tale of a haunted land is among the very finest of its kind and prompted Graham Greene to remark: ‘I hadn’t realised how much I had missed the genuine adventure story until I read The Rose of Tibet.’ Its combination of adventure and travelogue is further proof of Davidson’s great variety as a writer, and caused Daphne du Maurier to say: ‘It has all the excitement of King Solomon’s Mines.’
My Bass And Other Animals, by Guy Pratt
Guy Pratt came of age just as playing bass became sexy. In spurning the guitar solo, punk put the low-end on more of an equal footing—or maybe it was just that Paul Simonon and Bruce Foxton were pretty cool. Either way, people were trying out the basslines of «White Man in Hammersmith Palais» or «Peaches.» Having dallied with Funkapolitan, Pratt suddenly found himself on Top of the Pops and supporting David Bowie with the smooth Australian outfit Icehouse. At a ludicrously young age he became a sought-after bass player to the stars, finding himself crawling from studios to bars and from hotels to stadiums with the likes of Robert Palmer, Womack & Womack, Bernard Edwards, Bryan Ferry, and David Crosby. The 1980s were in their prime, and with a number of Crolla-suited appearances in windswept videos behind him, he was invited to join Pink Floyd for a series of stadium extravaganzas to make Bono & Co. look fairly modest. He was in The Smiths for a week, has travelled through customs in a wheelchair after a flight with Jimmy Page, spent time in the studio with Michael Jackson, and has lived to tell all. This autobiographical account emerges from the successful stand-up tour of the same name, charting his journey from a Mod band to playing with Roxy Music at Live 8.
Journey, by James A. Michener
One of the premier novelists of the twentieth century, James A. Michener captures a frenzied time when sane men and women risked their very lives in forbidding Arctic land to win a dazzling and elusive prize: Yukon gold. In 1897, gold fever swept the world. The promise of untold riches lures thousands of dreamers from all walks of life on a perilous trek toward fortune, failure—or death. Journey is an immersive account of the adventures of four English aristocrats and their Irish servant as they haul across cruel Canadian terrain toward the Klondike gold fields. Vivid and sweeping, featuring Michener’s probing insights into the follies and grandeur of the human spirit, this is the kind of novel only he could write.
Other Colours, by Orhan Pamuk
Orhan Pamuk’s first book since winning the Nobel Prize, Other Colours is a dazzling collection of essays on his life, his city, his work, and the example of other writers.
Over the last three decades, Pamuk has written, in addition to his seven novels, scores of pieces—personal, critical, and meditative—the finest of which he has brilliantly woven together here. He opens a window on his private life, from his boyhood dislike of school to his daughter’s precocious melancholy, from his successful struggle to quit smoking to his anxiety at the prospect of testifying against some clumsy muggers who fell upon him during a visit to New York City. From ordinary obligations such as applying for a passport or sharing a holiday meal with relatives, he takes extraordinary flights of imagination; in extreme moments, such as the terrifying days following a cataclysmic earthquake in Istanbul, he lays bare our most basic hopes and fears. Again and again Pamuk declares his faith in fiction, engaging the work of such predecessors as Laurence Sterne and Fyodor Dostoyevsky, sharing fragments from his notebooks, and commenting on his own novels. He contemplates his mysterious compulsion to sit alone at a desk and dream, always returning to the rich deliverance that is reading and writing.
By turns witty, moving, playful, and provocative, Other Colours glows with the energy of a master at work and gives us the world through his eyes, assigning every radiant theme and shifting mood its precise shade in the spectrum of significance.
The Alibi Man, by Tami Hoag
She was a vision. She was a siren. She was a nightmare. She was dead. Now he needed her to disappear. And he knew just how to make it happen. The Palm Beach elite go to great lengths to protect their own—and their own no longer includes Elena Estes. Once upon a time a child of wealth and privilege, Elena turned her back on that life. Betrayed and disillusioned by those closest to her, she chose the life of an undercover cop, the hunt for justice her own personal passion. Then a tragic, haunting mistake ended her career. Now Elena exists on the fringes of her old life, training horses for a living. But a shocking event is about to draw her back into the painful vortex she’s fought so hard to leave behind.
First she finds the body—a young woman used, murdered, and dumped in a canal. Not just a victim, but a friend. As Elena delves into her dead friend’s secret life, she discovers ties not only to the Russian mob but also to a group of powerful and wealthy Palm Beach bad boys known for giving each other alibis to cover a multitude of sins. A group that includes a man Elena once knew very well—her former fiancé, Bennett Walker, a man she knows has already escaped justice at least once in his life.
Finding her friend’s killer will put Elena at odds with her old life, with her new lover, and with herself. But she is determined to reveal the truth—a truth that will shock Palm Beach society to its core, and could very well get her killed.
Fire and Fury, by Michael Wolff
With extraordinary access to the West Wing, Michael Wolff reveals what happened behind-the-scenes in the first nine months of the most controversial presidency of our time in Fire and Fury: Inside the Trump White House.
Since Donald Trump was sworn in as the 45th President of the United States, the country―and the world―has witnessed a stormy, outrageous, and absolutely mesmerising presidential term that reflects the volatility and fierceness of the man elected Commander-in-Chief.
This riveting and explosive account of Trump’s administration provides a wealth of new details about the chaos in the Oval Office, including:
- What President Trump’s staff really thinks of him
- What inspired Trump to claim he was wire-tapped by President Obama
- Why FBI director James Comey was really fired
- Why chief strategist Steve Bannon and Trump’s son-in-law Jared Kushner couldn’t be in the same room
- Who is really directing the Trump administration’s strategy in the wake of Bannon’s firing
- What the secret to communicating with Trump is
- What the Trump administration has in common with the movie The Producers
Never before in history has a presidency so divided the American people. Brilliantly reported and astoundingly fresh, Fire and Fury shows us how and why Donald Trump has become the king of discord and disunion.
Guilt, by Jonathan Kellerman
In an upscale L.A. neighbourhood, a backyard renovation unearths an infant’s body, buried sixty years ago. Soon thereafter, in a nearby park, another disturbingly bizarre discovery is made not far from the body of a young woman shot in the head. Helping LAPD homicide detective Milo Sturgis to link these eerie incidents is brilliant psychologist Alex Delaware. But even the good doctor’s vast experience with matters both clinical and criminal might not be enough to cut down to the bone of this chilling case. Backtracking six decades into the past stirs up tales of a beautiful nurse with a mystery lover, a handsome, wealthy doctor who seems too good to be true, and a hospital with a notorious reputation—all of them long gone, along with any records of a newborn, and destined for anonymity. But the spectre of fame rears its head when the case unexpectedly twists in the direction of the highest echelons of celebrity privilege. Entering this sheltered world, Alex little imagines the macabre layer just below the surface—a decadent quagmire of unholy rituals and grisly sacrifice.
New Narratives, edited by Ruth Page and Bronwen Thomas
Just as the explosive growth of digital media has led to ever-expanding narrative possibilities and practices, so these new electronic modes of storytelling have, in their own turn, demanded a rapid and radical rethinking of narrative theory. This timely volume takes up the challenge, deeply and broadly considering the relationship between digital technology and narrative theory in the face of the changing landscape of computer-mediated communication.
New Narratives reflects the diversity of its subject by bringing together some of the foremost practitioners and theorists of digital narratives. It extends the range of digital subgenres examined by narrative theorists to include forms that have become increasingly prominent, new examples of experimental hypertext, and contemporary video games. The collection also explicitly draws connections between the development of narrative theory, technological innovation, and the use of narratives in particular social and cultural contexts.
Finally, New Narratives focuses on how the tools provided by new technologies may be harnessed to provide new ways of both producing and theorising narrative. Truly interdisciplinary, the book offers broad coverage of contemporary narrative theory, including frameworks that draw from classical and postclassical narratology, linguistics, and media studies.
Booklife, by Jeff VanderMeer
The world has changed, and with it the craft of writing. In addition to the difficulties of putting pen to paper, authors must now contend with a slew of new media. This has forever altered the relationship between writers and their readers, their publishers, and their work. In an era when authors are expected to do more and more to promote their own work, Booklife steers readers through the bewildering options:
- What should authors avoid doing on the Internet?
- How does the new paradigm affect authors, readers, and the fundamentals of book publication?
- What’s the difference between letting Internet tools use you and having a strategic plan?
- How do authors protect their creativity while still advancing their careers?
- How do you filter out white noise and find the peace of mind to do good work?